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Under The Skin (2013): Film Review

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Under The Skin is a 2013 Drama/Fantasy film starring actress Scarlett Johansson and directed by Jonathan Glazer

Budget: 13.3 million USD

Box Office: 7.2 million USD

IMDb: 6.3/10           Roger Ebert: 4/4           Rotten Tomatoes: 84%

I give it: 4/5

Under the Skin is a 2013 production that belongs to the sci-fi genre. However, most viewers of the film agree that the film breaks away from some of the most common factors seen in Sci-fi films. When the words “Sci-fi” or “Science Fiction” are mentioned, people almost automatically think of Oscar winning blockbusters like Gravity (2013) or Interstellar (2014). That, or their mind shifts towards Star Wars (1977-still going strong) or Star Trek the famous TV series (1968) that’s also been made into a film series. Notice the words “Stars” as the shared elements between the two titles. This is due to the fact that for such a long time, science fiction films have been associated with galaxies, stars, extra celestial beings, life on different planets…etc. However, Under the Skin presents itself as an astoundingly unconventional sci-fi film with no Space fights or laser beams whatsoever. Under The Skin is a sci-fi film that takes place on Earth, Scotland; to be specific.

The story is about a mysterious nameless woman played by Johansson, who roams the streets of Glasgow, Scotland, hunting for men who she lures in with her vibrant sexuality then eats, not literally. Eventually, we understand that Scarlett Johansson is an alien who’s completely disconnected from normal human emotions and feelings.

That, of course, doesn’t in anyway mean that Under the Skin is free of the mesmerizing visuals we find in sci-fi films. In fact, the film is packed with them but it does so in the most avant-garde way possible, establishing itself as a visionary science fiction film rather than a movie about colorful creatures fighting each other for entertainment reasons. That doesn’t necessarily mean that this specific kind of pleasurable and humorous films isn’t needed. But every now and again, it is refreshing to find a film rising from a certain genre, altering the peoples’ view of it.

Until this very day, some people still believe that a true, genuine sci-fi flick has to have certain elements and iconographies in order to be listed under the sci-fi genre. However, I believe that is a common mistake that societies tend to make when exposed to a certain constant, unchanging thing or nature for so long that they forget that it can be altered or reformed.

The opening scene of Under the Skin is very important, as it has been directly linked to Kubrick’s 2001: A Space Odyssey numerable times. The scene is viewed as a reference to 2001. The story opens with a black screen and a white dot in the middle that keeps growing until it overtakes the whole screen with its blinding brightness, followed by a cosmic close up, followed by a close up of an eye. All this is happening while a score that is so similar to that of 2001 is playing and a woman (Johansson’s voice) is mumbling incomprehensible words. This scene establishes the viewer’s understanding that he/she’s about to go on a journey rather than watch a film that he/she might forget after. The sequence also sets the scene for what’s to come. In a sense, this scene is a perfect opener, enlightening its spectators that they’re in for a film that is more concerned with building atmosphere than it is with multifaceted plot or dialogue.

There’s only one main character and one star in this film and that is Scarlett Johansson. Her character is of an alien who lands in Scotland and takes form on Earth as a very beautiful and very seductive young woman. Johansson’s character displays an absence of empathy. Another important aspect when it comes to the characters of the film is that some of the men Johansson chats with are real actual passers by who have no idea they’re talking to a huge movie star or that they’re being filmed. Johansson drives the van herself and the scene is shot in hours on end.

The narrative content of the film is innately sexual as it focuses on a woman luring in men using her sexuality, beauty and body in order to then use them for her own special purposes. The film makes great use of the documentary style to
the extent that what you see as a reality on screen is almost too relatable that it initially becomes uncomfortable to watch. In contrast to this amount of reality thrown in your face, comes the way more cinematic and stylistic filming style, which dominates a large part of the film. Consequently, this filming style juxtaposes against the realism of the very realistic scenes. The film’s music is almost perfect. It’s horrifying, alarming, disturbing and startling in every way.

The whole film feels like one long dream/nightmare where everything is familiar yet, seems strangely odd. Where places that echo with safety now vibrate with anxiety and fear. Under the Skin reminds us that cinema is the closest thing we have to dreaming without actually being asleep. Remarkably, the director manages to take the feeling of everyday scenery and turn it into one that is associated with alienation and disconnection from the real world. The film attacks its viewers with its bold, alien visuals and its almost perfect musical score and magnificently produces a delightfully nightmarish cinematic environment while holding back nothing. The visuals and music are so in sync that you feel threatened watching every frame of this film.

It’s been said that this film in particular is a beautiful, yet a dreadful metaphor of women’s sexuality. Some film critics even describe it as one of the most powerful feminist films of the 21st century.

It is quite understandable that during the 80s and 90s period, Sci-Fi films were directly associated with individuals labeled as “Geeks” or “Nerds”. However, now, serving a total disclaimer to the above claim; sci-fi films have managed to become part of the mainstream theme of entertainment. Now comes Under the Skin, placing the sci-fi genre among Art house cinema as a step to alter and develop the specific genre. This only serves to prove that no genre is limited to its most popular iconographies and no filmmaker should stop trying to develop, revise and experiment with any of the well-known genres. The biggest, most significant proof of constant generic change is Jonathan Glazer’s Under the Skin.

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Dorra Zarrouk and Hassan El Raddad to Star in Egypt’s First 3D Movie

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Dorra Zarrouk and Hassan El Raddad are set to star in Egypt’s very first 3D movie entitled Hell Siege ‘7esar Gohanam.’

What we know so far about the movie’s plot is that it will take place somewhere in the near future, in a deserted town on the coast of the Mediterranean. Where the town gets invaded by an army controlled by artificial intelligence and people gather to stand up against the invasion.

The movie is produced by Mohamed El Komy, and it has been said that the movie’s budget is huge and backed by a number of American companies, which gives us high hope for the first 3D movie to be a huge game-changing point for the cinema industry.

No date of release has been announced yet.

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Is Elissa Really Taking Part in Season 4 of La Casa De Papel?

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The internet is breaking out with questions over Elissa’s tweet where she said she’s ready to join the gang of La Casa De Papel, the tweet remains mysterious and vague but when La Casa De Papel tweeted back welcoming her as Beirut, more questions were raised!

Most important one is whether or not Elissa is really taking part in the fourth season? We need answers, and we need them now.

This is Elissa’s tweet that broke the internet last night and had her own fans and Money Heist’s asking so many questions, especially after the following tweets from both Netflix MENA and La Casa De Papel. 

Now, there are currently no verification on whether or not Elissa will really be joining the gang as Beirut or was this just a gift sent by La Casa De Papel team after Elissa’s announcement that she is retiring and that was their way of standing by her.

By now because people have started reacting already, so Netflix better start answering questions soon!

One fan even blended Elissa’s tunes to the famous ‘Bella Ciao’!

 

 

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Hilary Duff Confirms the Return of ‘Lizzy McGuire’ In a New Disney Series

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15 years after the series concluded, Hillary Duff announced on social media that her character Lizzy McGuire will be returning to the screen for a sequel of what used to be our favorite show, only this time she will be working her dream job instead of navigating life as a teenager.

Duff, who is now a mother to a seven-year-old son and a nine-month old daughter, wrote on Instagram, “SURPRISE!!! I’ve been trying to contain this excitement for a loooong time while this has been in the works! I am beyond excited to be home again, back with my girl…and into her 30’s.”

The new streaming service Disney+, which is premiering on November 12, will be the channel hosting the show.

The streaming service will launch with the debuts of High School Musical: The Musical: The Series and The Mandolorian. There’s currently no premiere date for Lizzie McGuire available, but we’ll certainly keep you posted!

We can’t wait to see this new version of Lizzie who sure is no longer a clumsy schoolgirl, but rather a 30-year-old millennial navigating her way around the big apple!

“Lizzie has also grown up, she’s older, she’s wiser, she has a much bigger shoe budget,” Duff said.

“She has her dream job, the perfect life right now working as an apprentice to a fancy New York City decorator. “ She added.

The rest of the cast joining Duff still remains a mystery so we don’t know yet who from the original cast will be joining this comeback, and we can’t help but wonder if we will be seeing more of Gordo, Miranda, Matt or Lizzie’s parents.

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